The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions. 　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

探讨西方世界的一些最伟大的艺术作品是如何诞生于暴力、强权政治和竞争的时代，查尔斯·丹斯将饰演米开朗基罗·博那罗蒂。BBC称，此剧集将“揭示文艺复兴不为人知的一面”，其中还将展出列奥纳多·达·芬奇、拉斐尔以及他们16世纪意大利赞助人的作品。

The Renaissance is the remarkable story of the age in which the techniques and inspirations which had been lost since the classical era were rediscovered and reintroduced into the world of art. This episode features the work of Leonardo da Vinci, Raphael, Holbein and Michaelangelo.

《碧昂丝：文艺复兴》是一部2023年的美国纪录片音乐会电影，由碧昂丝编剧、导演和制作。这部电影记录了碧昂丝为支持她的第七张录音室专辑《Renaissance》而举行的文艺复兴世界巡演的开发和执行过程。

《碧昂丝：文艺复兴》是一部2023年的美国纪录片音乐会电影，由碧昂丝编剧、导演和制作。这部电影记录了碧昂丝为支持她的第七张录音室专辑《Renaissance》而举行的文艺复兴世界巡演的开发和执行过程。

Joseph Leo Koerner argues that the Renaissance in Northern Europe - more so than its Italian counterpart - laid the foundations of modern art.

At the end of the 15th Century, Rome is ruled ruthlessly by power mad and sex hungry Cesare Borgia, the eldest son of Pope Alexander VI. Following the advice of his chief adviser Niccolo Macchiavelli, Cesare Borgia decides to attempt to unify the country in order to become even more powerful. To this end he needs his sister Lucrezia. Presently, the beautiful creature is married to the Count of Pesaro but she would be more useful if she was the wife of Alphonse of Aragon. Never mind, let the Count join his ancestors! And when the Duke of Aragon becomes useless, Cesare easily finds his replacement. Used as a pawn by her brother, Lucrezia eventually renounces happiness and becomes patron of the arts and the letters/ Written by Guy Bellinger

Art historian Dr James Fox makes the case for a singularly British renaissance, telling the stories of the artists and artisans who changed Britain forever.